Wednesday, 25 December 2013

Like Water, Like Light — A Contemplation on Freedom

I'd like to share a lovely thought I had this Christmas morning. Merry Christmas all!


There is an economic idea, wonderful in theory, that the free movement of money and people and goods and ideas is in the best interests of everyone. But in practice human beings and the things they want are not like water. When we enter a cup, we do not "become the cup" as Bruce Lee wisely recommends us. We have culture, and home, and it's impossible to ask for freedom from others when we are not ourselves free. And even in cases where we would like to be free, we are discrete units and we have a natural resistance to movement and change. A good image to have is of a traffic jam. Even if the road ahead of the first car is empty, it takes a while until the last car can get going. How to adjust for this? Is it possible to "be like water" and so regain our freedom?

The solution to the traffic jam problem would be if cars could hold on to each other like carriages in a train. Paradoxically, it is through a lack of freedom that discrete units can best realise their freedom. The important thing is to be able to bind ourselves in the direction we wish to be going. The freedom to bind to a future intention actually gives freedom of movement instead of taking it away. Connections to family, friends and society as a whole makes us continuous beings. The traffic jam is a product of modernity and discreteness. But of course we are both.

It's fascinating to think that even at the smallest scale, light particles/waves are both discrete and continuous simultaneously. Perhaps when light is behaving like a wave in the twin-slit experiment, the interference pattern it creates is in some sense caused by interferences of intention? When the intention is observed, light behaves like a particle and the interference resolves itself one way or the other. If light is a symbol of absolute freedom, then what can we learn from it?


... One would imagine light to be forgetful of where it's been or where it's going. But there is a phenomenon called quantum entanglement which means two photons can be at opposite ends of a galaxy, but they still maintain the other within themselves.


A friend of mine posted today "a free spirit is someone who lives by their own wishes and is unconstrained by society". I would like to be a free spirit, but would define it differently (inspired by Nietzsche): "A free spirit is one who has the resilience of an ass, the courage of a lion, the innocence of a child, yet doesn't fight the world but flies in the tailwind of eternity."

Does a free spirit ever think they are free? I know that I'm not free, very far from it, but I have the aspiration nonetheless. In order to realise freedom, I think we need to acknowledge that we are not free, how in a limited sense we are the result of our whole life up to now, but also we are completely free in this moment to change a tiny bit, and bit by bit to become more free. To be like light, to be like water.

And that means to be willing to surrender to the universe, to let go of conflicting intentions within ourselves, to let those conflicts resolve themselves by themselves. And when we have clarity of intention and the way becomes clear, to bring the future into the present and hold firm to that intention to take us where we want to go. And wherever we go, like light, to remember our friends, even on the opposite side of the universe.


Photo: 'Waves in the Sunrise' (2009) by —okei

Monday, 23 December 2013

Emmanuel Pahud & Christian Rivet

I have been dreaming a lot of the sea recently, of my father, of old friends, of long conversations and good company.

It was good to make those dreams real and (apart from the sea) to meet many of them once again these past few days, and perhaps some more in coming days.

Below is an 11 second video I took at Wigmore Hall by the virtuoso flute player Emmanuel Pahud accompanied by Christian Rivet on guitar. They were excellent! I went with my father and one of my earliest friends from schooldays.


It was an eclectic performance varying from the excitement of Piazzolla's tango music to the very modern as if a baby were playing with the instruments, along the way the dulcet tones of Handel and the slavonic dances of Bartok.

This is a full version of the above from a different recording which was played as an encore:
Ibert — Entr'Acte


Finally, a live recording from Pahud's YouTube channel which he also played tonight.
Bartok — Pe Loc

Saturday, 23 November 2013

Disenchantment: Weber's Postscript to Modernity

Weber is a great proponent of the importance of beliefs and ideas, and more generally of culture, in shaping our history. What is the culture of modernity? It is impersonal and utilitarian: the pursuit of pre-given ends which are taken to be self-evident. Reason, instead of founding our values, is used instrumentally to maximize, accumulate and attain pre-given values. That is to say that reason is not allowed to ask the right questions, but is devoted solely to actions and answers. This process, legitimized by a philosophy of progress, is increasingly specialized and institutionalized, but the ideal never seems to live up to its imagined promise and the results never satisfy. In the face of existential crisis of “what is the purpose of success?”, the advice is “check your bank account!”. Money becomes the substitute that man has created for his unattainable desire.

The fruition of this ideal of efficiency in politics is the bureaucratic state whose perfection is order. In the name of order, the state imposes a whole tapestry of rights, rules, duties, and in short expert knowledge, so as to make itself militarily strong and financially wealthy whilst also theoretically proffering the aim of maximizing health, wealth, education and well-being of those whom it regards as its citizens. The result of this seemingly admirable pursuit of excellence is that ultimate meanings are lost. Values are reduced to calculation and become disenchanted, or to use Nietzsche’s term devalued. Weber agrees with Nietzsche that the highest values devalue themselves. His response is resigned resistance: “what can we oppose to this machinery in order to keep a portion of mankind free from this parcelling-out of the soul, from this supreme mastery of the bureaucratic way of life?” The bureaucratic way of life is supreme because it is disciplined and reliable, and so predictable and efficient. It saves time and money, but it can never answer the question: “How best to use the time and money that we save?”

While the founding premise of capitalism is that greed is an irresistible facet of human nature, the capitalist promise is basically enjoyment. The imperative is to enjoy the surplus and so sustain the system, or at least to take satisfaction from the expectation of enjoyment. This expectation continues to circulate freely as our investment in the financial system, as well as in the legal system that founds it, whilst always susceptible to the risk of withering away through calamity, taxes or simply inflation. But this enjoyment is not an ultimate value! It can only be cashed in by consumption, and the socially acceptable forms of consumption, while incredibly diverse, are also highly regulated. Our ends, like society’s values, have become pre-given. Capitalist man has been tricked into being a consumer instead of a creator, and even when he creates, he creates to consume.

By calling this phenomenon disenchantment, Weber expresses the loss in ultimate values as a loss of magic. Prehistoric religion involved a magical and direct manipulation of forces of nature. In stark contrast to the logical formal rationality of modern bureaucracy, Weber characterizes the forms of leadership of earlier ages as either charismatic (based on the ruler’s exceptional qualities) or traditional (based on the sanctity of custom). These become supplanted by a universal ethic, an impersonal manipulation of economic, political and intellectual concepts. It is a paradox that it is the systematic methodical character of worldly asceticism (the Calvinist belief of work as a way to God, the Protestant calling to engage in the world) which propel industrialization, rule of law and scientific progress. It is the same practice of instrumental-rationality that necessitates all three, leaving no room for value-rationality that asks why. Ironically, these processes also create institutions which destabilize the religious ethic that birthed them. Religion in response becomes other-worldly, and increasingly irrational. It is no longer the holistic source of our ultimate values.

Capitalism, like democracy and science, obeys its own formal logic of production, accumulation and exchange and no longer requires any form of spiritual legitimation. It disenchants the ultimate values that once founded it and engenders their demise. But not only is religion disenchanted, but so are the proliferation of new values created: such as efficiency, discipline and truth, all to be pursued now for their own sake. They bring about bad conscience because of the impossibility of attaining their perfection, and also because of an inevitable and irresolvable conflict between them. It is no longer a polytheistic charismatic or traditional struggle between gods, as in ancient Greece, but an impersonal struggle of concepts. Caught in the cross-fire of ideologies, man has become a means to an end, and Mother Earth also, when of course she should be end within ourselves.

A good example of one such struggle is Polanyi’s dichotomy between traditional morality and free-market capitalism. Not only is it impossible to commit to both, but commitment to one leads to the decadence or decline of the other which will ultimately undermine both. But perhaps this need not be cause for pessimism if we can find an appropriate balance between the two, and one way of achieving this, suggested by Nancy Fraser, is by mediation through a third: the value sphere of emancipation. While historically emancipation has been allied with free-market capitalism in breaking down class structures, there may also be times when emancipation must ally itself with traditional morality to ward off the anti-liberal effects of consumerism. But perhaps Weber's main point is that no value sphere can sit in judgment on all the rest, as religion once did.

Could reason not replace religion? Weber writes: “The intellect like all cultural values has created an aristocracy based on the possession of rational culture and independent of all personal ethical qualities of man. The aristocracy of intellect is hence an unbrotherly aristocracy.” It is without hate, but also without love. Nevertheless, unlike postmodernism which reacts against the rational ideal, Weber still stands by it. He sees man as facing a tragic responsibility to make a stand between competing value spheres needing to take individual initiative out of an inner conviction. As in Plato’s Phaedrus, reason for Weber is a pharmakon: both a poison and a cure. Unlike Durkheim, he does not go so far as to accept the idea that science can be used to found our values, for example by measures of health and well-being; these can only ever be relative to our current understanding of what it means for man to be healthy and fulfilled. Many of the greatest artists, poets and scientists in history were imperfect examples of what we might imagine as human well-being. To use the metaphor of evolution as a spiralling walk up a mountain path, there will be times at a peak when we may see a higher peak in view, but whether we realize it or not, a stepping-down is necessary for us to ever reach it. Though science cannot found our values, it can nevertheless help us analyse, clarify and understand them. But as in our aesthetics or our jurisprudence, what we lack is an outside view. This is because aesthetics, like jurisprudence represses at the outset its own presuppositions: the question of whether there should be works of art, or law.

How to reconcile man’s inner conviction with his tragic responsibility? Weber’s answer is that we must ground ultimate values in our own person: with passion, responsibility, and sincere and proportionate perspective. It is true that reason which was supposed to set us free from personality and prejudice paradoxically works counter to individual autonomy and freedom. But this is only because the individual has been robbed of the self-legislative authority to found values in himself. Whereas once there was a single holistic value sphere in spiritual authority, now there is a separation into the separate often competing value spheres of the religious, economic, political, intellectual, aesthetic and erotic. Moreover, each of these spheres has become increasingly normative, making man the object of rational calculation. In asking the right questions (Foucault), or in the play of puzzling over things (Baudrillard), or in the seemingly irrational spheres of art and eros, or in mystical self-knowledge, perhaps we may find the magical enchantment which can set us free. The critical, puzzling mind, the beauteous eye, the passionate heart, the dancing spirit — all serve to re-enchant the world, to free ourselves from old spells and let us cast our own magic.
The mathematician’s patterns, like the painter’s or the poet’s must be beautiful; the ideas like the colours or the words, must fit together in a harmonious way. Beauty is the first test: there is no permanent place in the world for ugly mathematics. 
—G. H. Hardy

We are not meant to be perfect; we are meant to be whole. 
Jane Fonda

The possible is often reached only by striving to attain the impossible that lies beyond it. 
Max Weber

Photo: 'Maths Department at Dusk' —okei


Tuesday, 29 October 2013

Earthly Love


Love Song (—Henry Dumas)

Beloved,
I have to adore the earth:

The wind must have heard
your voice once.
It echoes and sings like you.

The soil must have tasted
you once.
It is laden with your scent.

The trees honor you
in gold
and blush when you pass.

I know why the north country
is frozen.
It has been trying to preserve
your memory.

I know why the desert
burns with fever.
It has wept too long without you.

On hands and knees,
the ocean begs up the beach,
and falls at your feet.

I have to adore
the mirror of the earth.
You have taught her well
how to be beautiful.


I want to sleep with you (—Joyce Mansour, 1955)

I want to sleep with you side by side 
Our hair intertwined 
Our sexes joined 
With your mouth for a pillow. 
I want to sleep with you back to back 
With no breath to part us 
No words to distract us 
No eyes to lie to us 
With no clothes on. 
To sleep with you breast to breast 
Tense and sweating 
Shining with a thousand quivers 
Consumed by ecstatic mad inertia 
Stretched out on your shadow 
Hammered by your tongue 
To die in a rabbit’s rotting teeth 
Happy.


The Great Fisherman of the Sea (—okei)

Carry me slowly, life!
Slowly down your stream.
In a mountain pool 
With salmon let me dream.
Save me from net and hook,
Treachery unwound.
Let me read your book
Whose truth is love unbound.
Carry me gently, life!
Gently to your sea…
If I thrash and quiver,
Know it’s only me.


Painting: The Dust Weavers (Margarita Georgiadis, 2009)

Monday, 21 October 2013

About Time (UK, 2013)

Rating:★★★★
Category:Movies
Genre: Romance

About Time is such an ordinary film and yet its message is extraordinary: to see wonder and find fulfilment in ordinariness, to live lighter (as if for the first time), and to live fuller (as if for the last time). Reminiscent of Nietzsche’s idea of eternal recurrence, the mechanics of time-travel within this film are slightly different: the potential to re-live the past differently, though the further back you go, any historical change you make risks unexpected changes in the present. However poor the film might be at science-fiction, that is not its purpose. Its greatness lies in its exploration of happiness in ordinary life. The lesson from the protagonist’s father is that life is beautiful, even with its little misfortunes, if we re-live each night the beautiful moments forgotten in the worries of the day. The lesson from the protagonist goes a step further: even this would be unnecessary if we are fully present to life in the first place, mindful, awake to the little things. Life is a prayer to be the best we can be, to do and to be, to cherish and to grow, to live — for love — in its deepest expression.

Saturday, 19 October 2013

Buddha-Dhamma for Students - Buddhadasa


Rating:★★★★
Category:Books
Genre: Spiritual
Tagline:Emptiness from Me & Mine

This book is an introduction to Buddha's teachings in question-and-answer format based on two lectures given to Western students in Thailand by the 20th century Thai monk Bhikku Buddhadasa. Below is a summary:

The Buddha-Dhamma or teachings of the Buddha concern the existence of suffering and the way to the end of suffering. Questions such as “who am I?” or “how was the universe created?” or “is there life after death” do not pertain to suffering and so are outside this core scope of Buddha’s teachings. 

More precisely, Buddha taught (1) the middle way (that lies neither in self-mortification nor in giving oneself up to pleasure), (2) to recognize and understand the causes and conditions of our experience, (3) to avoid evil, to do good and to purify the heart (to purify of all attachments, even good ones) and (4) the transitoriness of worldly things.


The basic lesson is thus not to grasp, not to cling, and to be mindful in every moment, that is single-minded: “when seeing, just see”, without like or dislike, attraction or aversion.


Books, scriptures and teachings are like a raft across a river, that is to say they have a purpose, and once that purpose is fulfilled, they have no value in themselves.


Study the suttantas, especially those on suññata: the emptiness of self, the emptiness of the world, the emptiness of mind. Emptiness is not material: it means that all five aggregates are impermanent, and nothing belongs to me or mine.


As Buddha advised in the Kalama Sutta, your faith is based not on tradition or belief in what you’ve been told, but on your own mind. If you hear a new teaching, see if it accords with the Suttas and Vinaya and your own experience, and accept it accordingly. Your heart-mind is your temple.


The eightfold path will arise naturally from not grasping and not clinging: right view, right understanding, right speech, right action, right livelihood, right effort, right mindfulness & right concentration. Not clinging and not grasping will arise naturally from seeing the inherent emptiness of all things.


Nibbana is the perfection of emptiness, the epitome of coolness, to die before dying. It is the realization of no-self, not in death, but in this life.


Avoid the four woeful states of hell, beasts, ghosts & demons in this moment, and you will avoid them in death also.


There is good karma, bad karma, but also a third, most important yet often forgotten: the karma that ends all karma.


Is it difficult? Buddha’s truth is based on causality, so it depends. If we act according to right understanding, then it is not difficult.


Whatever you do in life, recognize (i) its qualities, (ii) its origins, (iii) its attractiveness, (iv) its hidden dangers & (v) how to benefit from it whilst avoiding its hidden dangers.


Buddha’s final teaching was that all conditioned things decay, so tread the path with care!


Saturday, 5 October 2013

Žižek's Guide to Ideology through Film

Rating:★★★★
Category:Movies
Genre: Documentary
The pervert’s guide to ideology is the Slovenian psychoanalyst-philosopher Slavoj Ĺ˝iĹľek’s sequel to his earlier pervert’s guide to cinema, both directed by Sophie Fiennes who does a superb job in collating Ĺ˝iĹľek’s musings into a coherent and entertaining whole. Like the previous movie which unfortunately I’ve not yet seen, the philosophical insights are told through the analysis of a sequence of films, but while the erotic symbolism of desire’s object or “petit a” was the subject of the first movie, the focus of this one is on ideology, that is to say the big Other. What is the big Other?

Ĺ˝iĹľek begins his guide with the film They Live (1988) in which the protagonist discovers a pair of ideology sunglasses that transform the world around him. The adverts he sees around the city become slogans like “Stay Asleep”, “Obey” and “Consume”. A picture of a girl sunbathing in the Caribbean becomes the slogan “Marry & Reproduce”. More disturbingly, he sees that many of the successful people in the country he loves are not human but alien, and so begins his quest to save humanity from this covert invasion. Though this makes it sound like science fiction, the aliens could easily be seen to represent the faithful believers or high priests of an underlying ideology. They figure prominently in media, law enforcement and business. Fighting a pervasive ideology is difficult even if we had magic sunglasses to recognize it, firstly because many fear the lie being exposed and would rather live in the comfort and hope of illusion than face the helplessness and uncertainty of truth. False ideology acts as a big Other that gives life meaning, and people would rather that than nothing. The protagonist goes through a protracted fight scene with his best friend just to convince him to try on the glasses. Secondly, and more confusingly for our protagonist, some humans know what’s up but they side with the ideology to reap the personal benefits of playing the game. Resistance seems futile, words are unconvincing to the general populace, and the visual image holds sway. But the image also holds the key to ideology’s unravelling. An illusion based on false appearances is fragile to the grotesqueness of its veil being ripped away. Saving humanity through truth’s unmasking is then an event more powerful and requiring more commitment than even life or love.

Ĺ˝iĹľek goes on to talk about The Sound of Music (1965), and in particular the superior nun’s instruction to climb every mountain, symbolically to face every desire, but to do it in the name of religion, revealing a sacred permissiveness in religion which it must have in order to play the role of the big Other and keep account. He goes on to say how in an earlier age, people would go to the psychoanalyst with the guilt of the wrongs they had done, whereas now his psychoanalyst friends tell him the more common complaint is the guilt of not enjoying enough. In the modern age, we are seeking transcendence not through God, but through enjoyment. The big Other has changed! A wonderful example of this transcendent position of enjoyment can be seen in the advertisements for Coca-Cola with advertisements like “Coca-Cola, the real thing” or “Coca-Cola, that’s it”. If we take Coca-Cola with us on a warm day and it gets warm in the sunshine and loses its fizz, then it’s no longer “it”, but there’s no positive quality which the “it” alludes to, which makes “it” transcendent. Another example is the kinder-egg, a chocolate egg within which is hidden a plastic toy. The toy is a seemingly worthless item, but it takes on a transcendent value, and do we not enjoy and consume the chocolate more for containing the toy? Ĺ˝iĹľek thinks so! One final example is Beethoven’s ‘Ode to Joy’ which in its universal appeal has been used by every kind of ideology from the Nazis to the Soviets, and now the EU, acting as an empty container to whatever meaning we choose to give it. In its use as an image of unity of people, it is worth asking “what is excluded?” Beethoven’s Ninth Symphony, from which the ode is derived, is more honest in Ĺ˝iĹľek’s opinion because it goes on to challenge the ideology of the ode through the music that follows it.

This only touches on the beginning of this movie, but the hour is late so let me finish by briefly summarizing the rest. Ideology unites men’s fears and it unites their dreams. It includes and it accepts, but in so doing it takes away man’s subjectivity and denies his power. It gives man pleasure in empty purposes and pursuits. And paradoxically, in those moments when man’s dream seems crushed, such as the love affair in the Titanic cruelly ended by its sinking, it is in this destruction that the dream never has a chance to betray itself and so lives on for eternity. In this sense, Ĺ˝iĹľek is a strange kind of optimist.

The truth unmasked is that there is no big Other, but that it is precisely in the crucifixion of ideology, like the crucifixion of Christ, that we gain our freedom and save the dream.