Showing posts with label reading. Show all posts
Showing posts with label reading. Show all posts

Sunday, 17 February 2013

Lovers' Truth


The desert is a pathless land
For every path is steeped in sand.
Since we embrace the desert wide
We must not from our sadness hide.
For sadness is a ray of light,
A star that guides us through the night.
Lest I forget, lead me brave friend
But lead your own path till the end.

—okei

Photo: 'Purmamarca', courtesy of Hille. In the native Aymara language of the Andes, purma-marca literally means desert-city. 



To be with you...

To be with you this evening,
rarest of the evenings all,
And listen to the whispering leaves
and to the night bird’s call
The silvery moonlight on your face-
To be with you in some still place.
To be with you somewhere within
this evening’s mystic shade,
To hear your plans and hopes
and tell you mine, all unafraid
That you’d forget to hold them dear,
When I’m away and you’re not here
To be somewhere alone with you
and watch the myriad stars,
Far golden worlds beyond the noisy
earth’s unkindly jars,
As quietly they sail the night’s sea
Above all the world and you and me.

—Max Ehrmann

Thursday, 27 December 2012

Illustrated Rubaiyat of Omar Khayyam (Edward Fitzgerald)

This is a reading of most of the verses of the Rubáiyát of Omar Khayyám, as rendered by Edward Fitzgerald in 1859, accompanied by the illustrations of René Bull and the oud-playing of Khyam Allami. This a reprise of my very first ever blog post, a version of the Rubáiyát in 29 verses. The following now doubles that number.

Omar Khayyám, born in 11th century Persia, was an inspirational figure: a mathematician, poet, philosopher and astronomer, who also wrote treatises on music and minerology, and contributed to the development of a more accurate calendar. Fitzgerald's rendering of his Rubáiyát, while far from literal, is also pure inspiration. Enjoy in HD!


Awake! for Morning in the Bowl of Night
Has flung the Stone that sets the Stars to Flight:
   And Lo! the Hunter of the East has caught
The Sultan’s Turret in a Noose of Light.

Dreaming when Dawn’s Left Hand was in the Sky
I heard a Voice within the Tavern cry,
   “Awake, my Little ones, and fill the Cup
Before Life’s Liquor in its Cup be dry.”

And as the Cock crew, those who stood before
The Tavern shouted — “Open then the Door!
   You know how little while we have to stay,
And, once departed, may return no more.”

Now, the New Year reviving old Desires,
The thoughtful Soul to Solitude retires
   Where the White Hand of Moses on the Bough
Puts out, and Jesus from the Ground suspires.

Irám indeed is gone with all its Rose,
And Jamshyd’s Sev’n-ringed Cup where no one knows
   But still the Vine her ancient Ruby yields,
And still a Garden by the Water blows.

And David’s Lips are locked; but in divine
High piping Pehleví, with “Wine! Wine! Wine!
   Red Wine!” — the Nightingale cries to the Rose
So that her yellow Cheeks incarnadine.

Come, fill the Cup, and in the Fire of Spring
The Winter Garment of Repentance fling:
   The Bird of Time has but a little way
To fly — and Lo! the Bird is on the Wing.

And look — a thousand Blossoms with the Day
Woke — and a thousand scattered into Clay
   And this first Summer Month that brings the Rose
Shall take Jamshyd and Kaikobád away.

But come with old Khayyám, and leave the Lot
Of Kaikobád and Kaikhosrú forgot!
   Let Rustum lay about him as he will,
Or Hátim Tai cry Supper — heed them not.

With me along some Strip of Herbage strown
That just divides the desert from the sown,
   Where name of Slave and Sultán scarce is known,
We’ll pity Sultán Máhmúd on his Throne.

Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse — and Thou
   Beside me singing in the Wilderness —
And Wilderness is Paradise enow.

"How sweet is mortal Sovereighnty" — think some:
Others — "How blessed the Paradise to come!"
   Ah, take the Cash in hand and wave the Rest;
Oh, the brave Music of a distant Drum!

Look to the Rose that blows about us — "Lo,
Laughing," she says, "into the World I blow:
   At once the silken Tassels of my Purse
Tear, and its Treasures on the Garden throw.

The Worldly Hope men set their Hearts upon
Turns Ashes — or it prospers; and anon,
   Like snow upon the Desert's dusty Face
Lighting a little Hour or two — is gone.

Think, in this battered Caravanserai
Whose Doorways are alternate Night and Day,
   How Sultán after Sultán with his Pomp
Abode his Hour or two, and went his way.

They say the Lion and the Lizard keep
The Courts where Jamshyd gloried and drank deep:
   And Bahrám, that great Hunter — the Wild Ass
Stamps o’er his Head, but cannot break his sleep.

I sometimes think that never blows so red
The Rose as where some buried Cæsar bled;
   That every Hyacinth the Garden wears
Dropped in its Lap from some once lovely Head.

And this delightful Herb whose tender Green
Fledges the River’s Lip on which we lean —
   Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!

Ah, my Belovéd, fill the Cup that clears
Today of past Regrets and future Fears —
   Tomorrow? — Why, Tomorrow I may be
Myself with Yesterday’s Sev’n Thousand Years.

Lo! Some we loved, the loveliest and best
That Time and Fate of all their Vintage pressed.
   They drank their Cup a Round or two before,
And one by one crept silently to Rest.

And we, that now make merry in the Room
They left, and Summer dresses in new Bloom,
   Must we beneath the Couch of Earth descend
Ourselves to also make a Couch — for whom?

Ah, make the most of what we yet may spend,
Before we too into the Dust descend;
   Dust into Dust, and under Dust, to lie,
Sans Wine, sans Song, sans Singer, and — sans End!

Alike for those who for Today prepare,
And those that after a Tomorrow stare,
   A Muezzin from the Tower of Darkness cries
“Fools! your reward is neither Here nor There!”

Why all the Saints and Sages who discussed
Of the Two Worlds so learnedly, are thrust
   Like foolish Prophets forth; their Words to Scorn
Are scattered, and their Mouths are stopped with Dust.

Oh, come with old Khayyam, and leave the Wise
To talk; one thing is certain, that Life flies;
   One thing is certain and the Rest is Lies;
The Flower that once has blown for ever dies.

Myself when young did eagerly frequent
Doctor and Saint, and heard great Argument
   About it and about: but evermore
Came out by the same Door as in I went.

With them the Seed of Wisdom did I sow,
And with my own hand laboured it to grow:
   And this was all the Harvest that I reaped —
“I came like Water, and like Wind I go.”

Up from Earth’s Centre through the Seventh Gate
I rose, and on the Throne of Saturn sate,
   And many Knots unravelled by the Road;
But not the Knot of Human Death and Fate.

There was a Door to which I found no Key:
There was a Veil past which I could not see:
   Some little talk a while of Me and Thee
There seemed — and then no more of Thee and Me.

Then to the rolling Heaven itself I cried,
Asking, "What Lamp had Destiny to guide
   Her little Children stumbling in the Dark?"
And "A blind Understanding" Heaven replied.

Then to this earthen bowl did I adjourn
My Lip the secret Well of Life to learn:
And Lip to Lip it murmured — "While you live
Drink! — for once dead you never shall return."

I think the Vessel that with fugitive
Articulation answered, once did live
   And merry-make; and the cold Lip I kissed
How many kisses might it take — and give!

For in the Market-place one Dusk of Day
I watched the Potter thumping his wet Clay:
   And with its all obliterated Tongue
It murmured — "Gently, Brother, gently pray!"

Ah, fill the Cup: — what boots it to repeat
How Time is slipping underneath our Feet:
  Unborn tomorrow and dead Yesterday,
Why fret about them if Today be sweet.

One Moment in Annihilation's Waste,
One Moment, of the Well of Life to taste —
   The Stars are setting and the Caravan
Starts for the Dawn of Nothing — Oh, make haste.

How long, how long, in infinite Pursuit
Of This and That endeavour and dispute
   Better be merry with the fruitful Grape
Than sadden after none, or bitter, Fruit.

You know my Friends, how long since in my House
For a new Marriage I did make Carouse:
   Divorced old barren Reason from my Bed,
And took the Daughter of the Vine to Spouse.

But leave the Wise to wrangle, and with me
The Quarrel of the Universe let be:
   And in some Corner of the Hubbub caught
Make Game with that which make as much with Thee.

For in and out, above, about, below,
'Tis nothing but a Magic Shadow-show,
   Played in a Box whose Candle is the Sun,
Round which we Phantom Figures come and go.

And if the Wine you drink, the Lip you press,
End in the Nothing all Things end in — Yes —
   Then fancy while Thou art, Thou art but what
Thou shalt be — Nothing — Thou shalt not be less.

While the Rose blows along the River Bank,
With old Khayyam the Ruby Vintage drink:
   And when the Angel with his darker Draught
Draws up to thee — take that, and do not shrink.

'Tis all a Chequer-board of Nights and Days
Where Destiny with Men for Pieces plays:
   Hither and thither moves, and mates, and slays,
And one by one back in the Closet lays.

The Moving Finger writes; and, having writ,
Moves on: nor all thy Piety nor Wit
   Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it.

And that inverted Bowl we call The Sky,
Whereunder crawling cooped we live and die,
   Lift not thy hands to It for help — for It
Rolls impotently on as Thou and I.

And this I know: whether the one True Light
Kindle to Love or Wrath consume me quite,
   One Glimpse of It within the Tavern caught
Better than in the Temple lost outright.

Listen again. One Evening at the Close
Of Ramazan, ere the better Moon arose,
   In that old Potter's Shop I stood alone
Surrounded by the Shapes of Clay in Rows.

And, strange to tell, among the Earthen Lot,
Some could articulate, while others not:
   And suddenly, one more impatient cried —
"Who is the Potter and who is the Pot?"

Then said another — "Surely not in vain
My substance from the common Earth was taken,
   That he who subtly wrought me into Shape
Should stamp me back to common Earth again.

Another said — "Why ne'er a peevish Boy
Would break the Bowl from which he drank in Joy;
   Shall he that made the Vessel in pure Love
And Fancy, in an after Rage destroy!"

None answered this; but after Silence spoke
A Vessel  of a more ungainly Make:
   "They sneer at me for leaning all awry;
What! Did the Hand then of the Potter shake?"

Said one — "Folks of a surly Tapster tell,
And daub his Visage with the Smoke of Hell;
   They talk of some strict Testing of us — Pish!
He's a Good Fellow; and t'will all be well."

Then said another with a long-drawn Sigh,
"My Clay with long oblivion is gone dry:
   But fill me with the old familiar Juice,
Methinks I might recover by-and-bye!"

So while the Vessels one by one were speaking,
One spied the little crescent all were seeking:
   And then they jogged each other, "Brother, Brother!
Hark to the Porter's Shoulder-knot a creaking!"

Ah, with the Grape my fading Life provide,
And wash my body whence the Life has died,
   And in a Winding-sheet of Vine-leaf wrapt,
So bury me by some sweet Garden-side.

Alas, that Spring should vanish with the Rose!
That Youth’s sweet-scented Manuscript should close!
    The Nightingale that in the Branches sang,
Ah, whence, and whither flown again, who knows!

Ah Love! could thou and I with Fate conspire
To grasp this sorry Scheme of Things entire,
   Would not we shatter it to bits — and then
Re-mould it nearer to the Heart’s Desire!

Ah Moon of my Delight who know’st no wane,
The Moon of Heav’n is rising once again:
   How oft hereafter rising shall she look
Through this same Garden after me in vain!

And when Thyself with shining Foot shall pass
Among the Guests Star-scattered on the Grass,
   And in your joyous Errand reach the spot
Where I made One — turn down an empty Glass!

Friday, 11 November 2011

Idle Recollections (Du Mu)

I'd like to offer you my translation of a poem by the 9th century Tang dynasty poet Du Mu

The image is of modern-day Yuangzhou in China where the poem was set. Enjoy!



Idle Recollections

Lost, my spirit roamed carefree,
Rivers and lakes its scenery,
Gladdened by wine and girls from Chu
Whose slender waists my palms once knew.
Ten years, and then as if in sleep,
I wakened from this dream so deep
 
To find the only fame I'd won
Was in love's haunts for love undone.

Yangzhou bliss had brought no favour,
Just idle memories to savour.



Monday, 26 September 2011

The Sage's Journey (Parmenides)


Only a few fragments remain of the poet-philosopher Parmenides from the 6th century B.C.. The following is a translation I did from the Greek of the first ten lines of fragment 1 of his poem that goes on to tell about how he met the goddess and what she taught him. One striking feature is that it is not the archetypal journey of the fool, but rather of the sage whose understanding paves the way for him to meet the goddess and learn more...

The audio was just a test-run, but it came out ok. Still, I ought to redo it one day.


The Sage's Journey

The racing mares that carry me
As far as ever my longing reached
Kept bearing me onwards after
They'd set me on the channelled way
Of divine presence through every stage
That ushers straight the learned sage.

Along this way I was carried,
For the nimble mares carried me there,
Pulling forth the hurtling chariot,
Maidens guiding it with great skill,
The axle screaming a piping note
As it whirled, driven at both ends
Blazing between two metalled wheels.


Thus they made haste to convey me,
Maidens born of the sun who had
Abandoned the abode of night

For the light, and hands at their heads
Thrust aside their covering hoods.



Painting: thanks to Catherine!




The poem continues in the comments...

Thursday, 1 September 2011

Would You...?

This is a reading of a love sonnet "In the Eyes of Your Desire, Would You...?" accompanied by the piano piece "Danse Bohémienne" by Debussy. The video is of the Spanish sea crashing against the rocks to set the mood and the painting is Ekval's "Fisherman and The Siren".

The poem had its origins in a dream I had a few days ago
(edit: it only occurs to me now that this must have coincided with hurricane Irene in the U.S. which I was not really aware of). There were two seemingly opposing aspects to the dream: "erotic passion" and "the bailing out of water", and my intention over the following days was to try to work some alchemy out of these two base emotions which I realize afterwards to be simply love and fear. I would hope that the result is gender-neutral so the voice of the poem could be either male or female, depending on how we would like to imagine it, and not necessarily one or the other. Perhaps something is lost because of this wish to universalize, but I feel I must. No doubt there is room for further improvement... and exploration... and any ideas are most welcome!




In the Eyes of Your Desire, Would You...?

 
On siren rocks, worn down by cruel seas,
Would you nestle, head arched back, chest bare,
Tempting Fate your carnal lust to please?

Should your longing rise with body fair,
Would you turn away or would you seize
The moment and no seduction spare?

When passion's grip leaves you gasping air,
Would you try to run with shuddering knees
Or would you stay and your passion share?

If you sense your yearning is a tease,
Would you, with wet hands, brush back the hair,
Unveil each round breast and firmly squeeze?

Would you in Love's consummation dare
Stake your life, your all, for Beauty's care?


—okei 

Sunday, 26 June 2011

The Waking (Marceline Desbordes-Valmore)

This is a reading of a new better translation of "Le Réveil" by Marceline Desbordes-Valmore (1786-1859). My old translation of this poem among others by her can be found in my previous post. There is precious little by her in translation either published or online for reasons explained there.

The music is Rachmaninov playing the end of Chopin's Nocturne Op. 9 No. 2 in E Flat Major.




The Waking


Upon this bed of reeds, could I go back to sleep?
I sense the fragrant air surrounding your body;
Your mouth, it is a flower whose perfume devours deep;
Come closer, oh my treasure!, engulf only me.
Awake to my melody!

But this breath of love, this kiss which I desire so,
On your lips I still dare not relish. I wait by.
With your heart’s consent, I would rise and heaven know;
Yet your sleep goes on, and this waiting makes me die:
I dare not relish what is nigh.

Under banana trees, we’d find a shady place.
The birds will sing at the sight of our lovers’ play.
The sun is jealous; in a cloud it hides its face,
It is in your eyes only that I seek the day:
Come light my love! I will stay.

No, no you sleep no more, you share my violet flame;
Your kisses are the nectar whose pollen makes bloom.
Your heart sighs; do you know my spirit feels the same?
Here take it from my mouth; it would dispel your gloom.
Hide me under your perfume!

Sunday, 19 June 2011

Jung - The Way of What is to Come


Jung - The Way of What is to Come

For those of my friends interested in The Red Book by Jung, but unable to find a copy (it seems few libraries have it and it's exorbitantly expensive)... I took some photos myself from the library and made the above video, where you can see Jung's illustrations, together with an extract from the beginning of the book.

A 180MB file of the full text without illustrations may be found by following the links from here...
http://answers.yahoo.com/question/index?qid=20100908194535AAV6jfM

Monday, 6 June 2011

Chu Yuan - Great Summons

I just learnt about dragon festival day on the 5th day of the 5th Chinese lunar month, which is today! 
http://www.weingartdesign.com/TMaS/Stories/tmas2-Dragon.html

So in honour of the poet Chu Yuan whom this festival celebrates, here is his "Great Summons".

Sunday, 5 June 2011

Shelley - Invocation


RARELY, rarely, comest thou,
Spirit of Delight!
Wherefore hast thou left me now
Many a day and night?
Many a weary night and day
'Tis since thou art fled away.

How shall ever one like me
Win thee back again?
With the joyous and the free
Thou wilt scoff at pain.
Spirit false! thou hast forgot
All but those who need thee not.

As a lizard with the shade
Of a trembling leaf,
Thou with sorrow art dismay'd;
Even the sighs of grief
Reproach thee, that thou art not near,
And reproach thou wilt not hear.

Let me set my mournful ditty
To a merry measure;
Thou wilt never come for pity,
Thou wilt come for pleasure:
Pity then will cut away
Those cruel wings, and thou wilt stay.

I love all that thou lovest,
Spirit of Delight!
The fresh earth in new leaves drest
And the starry night;
Autumn evening, and the morn
When the golden mists are born.

I love snow, and all the forms
Of the radiant frost;
I love waves, and winds, and storms,
Everything almost
Which is Nature's, and may be
Untainted by man's misery.

I love tranquil solitude,
And such society
As is quiet, wise, and good;
Between thee and me
What diff'rence? but thou dost possess
The things I seek, not love them less.

I love Love—though he has wings,
And like light can flee,
But above all other things,
Spirit, I love thee—
Thou art love and life! O come!
Make once more my heart thy home!

Monday, 7 March 2011

Ideas towards a Structure of the Tao Te Ching

A Subdivision of Lao-Tzu's
Tao Te Ching into 27 Parts

The Unnameable Dao (1-3)
Emptiness (4-7)
Suppleness (8-10)
Openness (11-13)
Formlessness (14-16)
Genuineness (17-19)
Inner Stillness (20-21, 24)
Wholeness (22-23, 25)
Rootedness (26-28)
Peacefulness (29-31)
Innateness (31-34)
Mildness (35-37)
Simpleness (38-39, 41)
Reversion (40)

Wordlessness (42-44)
Stillness (45-47)
Harmlessness (48-50)
Straightness (51-53)
Virtuousness (54-56)
Sparingness (57-59)
Forgiveness (60-62)
Mindfulness (63-65)
Humility (66, 80-81)
Reserve (67-69)
Wisdom (70-72)
Softness (73-76)
Gentleness (77-79)



This then is a playlist of the complete reading of a compressed-haiku version of the Tao Te Ching (Daodejin) by Lao-Tzu (Laozi). The order follows that of the over two-thousand year old Ma-wang-tui version of the text which was discovered in 1973.

The spirit of Dao of these verses is illustrated by the paintings of Jia Lu and accompanied by the gayageum-playing of Choi Jin.  


And it is read by me. Enjoy!




Acknowledgments to books by Henricks and Lin Yutang especially, inspiration from Lee to begin with, an insight of Tamara, and Fangyu and Jue for a comment or two along the Way.