Monday, 7 February 2011

Kant on Education

Ingredients:
Published posthumously in 1803, Kant’s lectures on pedagogy were not written for publication, but compiled from notes of lectures he gave. Following the pattern of his philosophy generally, Kant begins with the negative before turning to the positive, from limitation (pure reason) followed by expansion (practical reason).

Directions:
Man unlike animals seems to rely on intelligence instead of natural instinct, and thus uniquely among creatures requires education: care, discipline, instruction and formation until the child is able to rely on its own intelligence. A good analogy of this process is of the educator as a gardener. The ground is fertile for all kinds of seeds, both good and bad, so the gardener in his wisdom must root out the bad seeds and provide good nutrients to the ground so that the true seed of original nature may flourish. It is a negative approach to begin with (care that protects from harm and discipline to obey and speak the truth), which in turn allows for the positive approach of effective instruction and guidance, the former educating for school and the latter educating for life, cultivating ways of thinking that enable understanding to arise from within. Without instruction, man would be uncultured and raw, but without discipline, Kant contends that man would be less than human – savage, with a propensity to freedom that Rousseau considered noble, but Kant strongly disagrees. Nobility for Kant requires guidance that we may best make use of our freedom, educating to think for oneself and not be merely trained, that inner worth replace the opinions of others, that inner knowing and understanding arise from and replace feeling and experience and that good humour and natural piety replace blind and gloomy devotion. Thus, although Kant starts with constraint, the child must be afforded freedom. A good example is how generosity can only arise with the corresponding power to be generous. Kant's four keys to a good education are obedience, truthfulness, sociability and a cheerful heart. This follows closely the three keys in Arthurian legend of not too much indulgence, good company and good spirits!

If this project of education were successively improved, at each stage the educated having greater wisdom to be better educators, to what heights could man aspire? To what perfection of his true potential would he be capable? This and the project for a just society, the project of government, Kant considers to be the two most important and most difficult projects of the practical philosopher. The conduct of the project is an art, but he believes in the existence of absolute underlying principles which must be uniformly applied. There is perhaps a paradox here in that the perfection to man’s natural state seems to require very unnatural means. But these means are guided by reason which is in turn natural “in God”, so the perfection of man in God is a natural and thus universal endeavour, precisely because reason does not discriminate between individuals. And indeed Kant stresses not to “value human beings according to their religious observances, for in spite of the diversity of religions there is nevertheless unity of religion everywhere”.

This project of education, as with all culture, “begins with private individuals and extends outwards from there” to society and the world. This is because it is individuals who, unlike rulers, can take into account the good of the world above their own or their state’s interests. The image he uses to criticize the self-interested and spoilt prince is of the tree that stands apart in a sunlit field, its branches extending outwards in all directions. However, it is ironic that it is precisely this romantic image that is found in ancient Egypt for the happy man, providing ample shelter and plentiful fruit.

The existence of absolute principles, even without the insistence on absolute content, is still a questionable proposition. Does Kant really respect the dignity of difference, that “chaqu’un a son goût”? He sees a unity in religion and does not find the corresponding diversity problematic, so it is perhaps in the same light of universality that we should view his project of education. And then, at the age of sixteen, Kant sees the educated as attaining the potential paternal role of educators themselves. But we would rather consider education as an on-going life-long process, allowing for the continuing malleability of character and knowledge beyond mere childhood. Or is the cake baked by sixteen and we may enjoy the taste of our education and live happily after?… in God, through the wisdom of pure and practical reason… thanks to Kant!

Friday, 14 January 2011

Power of the Dao (Lao-Tzu)


Ingredients:
Verses 26-41 of Lao-Tzu's Tao Te Ching (Daodejing) in haiku form. This completes the section on the Tao (Dao) and includes the first four verses on the Te (Virtue).

The image is "Streaming Wind" by Jia Lu.


Directions:
26.
Centred at the root,
Heavy and still in one’s self,
The world becomes light.

27.
The skilled leave no mark.
So the wise king neglects none
And values the raw.

28.
He knows right and wrong,
Yet returns to origins
And does not cut up.

29.
Some strive to control.
I see they will not succeed.
The world is sacred.

30.
Putting aside arms,
He achieves without cruelty.
In victory, he stops.

31.
Weapons bring bad luck.
Gentlemen do not relish war.
In victory, they mourn.

32.
Nameless, seeming small,
Like the streams that fill the seas,
Dao cannot be grasped.

33.
Know others to last.
Know self to die to yourself.
And last in the Dao.

34.
Unrestrained, innate,
Clothed in the ten thousand things,
Though meek, Dao is great.

35.
Sanctity of peace,
Plain to taste, unseen, unheard,
Its reserves endless.

36.
To lay low, raise high.
Mildness overcomes proud strength,
So powers should hide deep.

37.
Dao takes no action.
When maintained, and desires calmed,
Things transform themselves.

38.
Unconscious, unplanned,
Virtue’s the fruit of the Way,
Ethics its brief flower.

39.
Remembering the One,
Rather than tinkling like jade,
Rumble like the rocks.

41.
When they hear the Dao,
Some poor souls burst out laughing.
Else it wouldn’t be Dao!

40.
Soft means are its ends.
Dao teaches by example.
Through non-being, it is.

Sunday, 9 January 2011

Delta Goodrem - Running Away

Why this creeping sadness that overcomes me?
Much better this than anger or indifference, but why?
What does it signal, is it I or is another suffering?
I bend double with a sneeze that reverberates,
Then silence returns, but for the ticking clock
And the sound of my blue pen tracing these lines
Of silent grief without a reason why –
I hope you are well, my blessings to you always.

–okei



Really, I'm fine. And I hope you are too... Just a strange post-holiday feeling.

Here's a song that came into my head after I wrote this...


Running Away

I close my eyes and make a wish for
Inner peace and tranquillity inside
My mind I feel it's changing
Breaking down the defences of my heart
It's like a new adventure
And this is my life
No longer know the girl inside
The stranger in my mind

I'm running away. Running away from you
Though I beg you to stay. I'm running away from you
I'm running away. From predictable
Miss reliable. So methodical
Wanna be individual. And original
So radical. And desirable

Put a message in a bottle
Watch it sail across the ocean blue
So free of limitations
A vision I can only fantasize
I'm floating in a new direction
As this is my life

No longer know the girl inside
The stranger in my mind

Thursday, 6 January 2011

In Truth, Breaking Free

 

The image
is
"Sower of Systems"
by
George Frederic Watts.


Notice the cloaked figure that fills the picture. It is supposed to be a symbolic representation of the moment of creation. But because of the overall haziness, it is at the crossroads between symbolism and abstract art.

As for the poem, I have only the vaguest idea what it means, so any help you can give me in that regard would be most welcome!
 


On the River Nile four thousand miles from home,
I weep for time lost and lands I'll never roam.
"Bear patiently," she told me, "Don't lose your heart."
But fate, slow and painful, tore our hands apart.
Reason has no answer to the vital lust
That drives us ever onwards from dust to dust.
Warm breath lights a cold fire, hard graft tills soft earth,
Tenderness stirs resolve – do we know their worth?
A painting of creation hangs on my wall.
I dream, reflecting on life before the fall.
But wake! Truth's light dawns bright as I hear your call!

–okei

Tuesday, 4 January 2011

Counting the Stars




The image is 
 
"The Star: 
Dancer on Point" 
 
by 
 
Edgar Degas







What price for human freedom?
More than seven hundred suns.
Who can capture sunlight's joy?
None but Love herself divine.
How to know what hand Love holds?
Play, play, play! Now close your eyes –
Dance, dance, dance! The heart knows all.

–okei

Monday, 3 January 2011

Searching for Spring


Where in the desert can I find a flower?
Only by searching in the shade of a palm.
Where in the desert can I find such a palm?
Only where waters gurgle up from the depths?
Where in the desert can I find such waters?
Only where the ground is cracked, the heart open
And from Earth's dark vaults, her grace and love spring forth.
 
–okei


Thursday, 30 December 2010

Solitude (Anna Akhmatova)

This is my version of a translation from the Russian of a poem by Anna Akhmatova written in 1914. Thank you to Betsy (carinadolce) for drawing my attention to this poem! 

Solitude

So many stones have been flung my way,
They fizz past, I no longer cower
And this ivory cage in which I stay
Now stands tall, a majestic tower.

To those who carved out its mighty wall,
I am grateful for the part they played.
I wish them joy and would bless them all,
"May sorrows pass you, be not afraid".

Now the first splendid glimpse of sunrise,
And sunset's bright rays, laughing their last,
Through my chamber windows greet my eyes,
While winds of the northern seas fly past.

From my hand, a dove eats grains of wheat.
Meanwhile, the fragment verse calmly waits
For the Muse's worn hand to complete
The gift divine from the palm of fate.